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The Redress of Poetry, by Seamus Heaney
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Seamus Heaney defines the title of this work of criticism as follows: "To redress poetry is to know and celebrate it for its forcibleness as itself . . . not only as a matter of profferd argument and edifying content but as a matter of angelic potential, a motion of the soul." Throughout this collection, Heaney's insight and eloquence are themselves of a poetic order.
- Sales Rank: #1313865 in Books
- Published on: 1996-10-30
- Released on: 1996-10-30
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .54" w x 5.50" l, .69 pounds
- Binding: Paperback
- 240 pages
- ISBN13: 9780374524883
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Amazon.com Review
From the recipient of the 1995 Nobel Prize for Literature comes a collection of essays based on lectures he delivered while Professor of Poetry at Oxford. The great Irish poet delivers wisdom about his craft in a style full of humor and devoid of pedantry. With his expansive spirit, Heaney examines poets such as Brian Merriman, Oscar Wilde, Dylan Thomas and, of course, William Butler Yeats. The Redress of Poetry is a rare opportunity to enter the lecture hall and learn from a master.
From Publishers Weekly
The 10 essays on poetry collected here, adapted from lectures delivered at Oxford between 1989 and 1994, display much of the intellectual restlessness, linguistic wizardry and political conscience that have shaped Heaney's own poetry. His thesis is that poetry of the highest order must redress social imbalances, at once transfiguring the circumstances it observes and offering an unforeseen, more humane, aesthetic alternative. This is an abstract and rigorous idea, yet nonacademic readers will find much to savor as Heaney tests and refines his paradigm in light of a largely canonical selection of poets (most are from the British Isles). Ranging freely from a brief life of each poet to a close reading of a few poems by him or her, he addresses, for instance, how Elizabeth Bishop's "One Art" assuages the "loss" to which it alludes; how Christopher Marlowe's "Hero and Leander" "extended the alphabet" of Elizabethan sexual mores; and how 19th-century rustic poet John Clare achieved a truly lyrical local idiom at odds with official English. With their palpable evocation of the writing process and their disavowal of jargon and trendy political abstractions, these are exemplary essays?and tell us much about the influences and obsessions of this year's Nobel laureate in literature.
Copyright 1995 Reed Business Information, Inc.
From Library Journal
In 1989 Heaney?who recently won the 1995 Nobel Prize for Literature?was elected professor of poetry at Oxford University; the lectures he gave there are collected in this book. By "redress" Heaney means the preferred definition of compensation for a wrong, but he also intends the obsolete meaning of bringing hunting dogs back to the chase, since poetry is a game of "fundamentally self-delighting inventiveness," one in which a force "unhindered, yet directed, can sweep ahead into its full potential." Eminently readable, the various essays here are united by a personal yet profound tone. They explore a broad range of poets, from Christopher Marlowe and John Clare to W.B. Yeats and Elizabeth Bishop, but Heaney's focus is on poetry's ability to redress "all of life's inadequacies, desolations, and atrocities," not by means of direct political response but simply by being its own intrinsic reward. For all literary collections. [For a selected list of works by Heaney currently in print, see p. 68.]?David Kirby, Florida State Univ., Tallahasse.
-?David Kirby, Florida State Univ., Tallahassee
Copyright 1995 Reed Business Information, Inc.
Most helpful customer reviews
17 of 17 people found the following review helpful.
Strong Enough To Help
By A Customer
The Redress of Poetry is a series of lectures given by Seamus Heaney at Oxford; in all of them, he examines poetry and how it can be strong enough to help the reader, to act as an equal force to the life lived by the reader. He looks at all kinds of poets - Dylan Thomas, Christopher Marlowe, Yeats, Wilde and Bishop - and of course talks about his own position as a Catholic from the Northern Ireland living in Dublin. In all the lectures Heaney is wonderfully informal and funny, while still solidly getting across how important and vital these writers are. The lecture on Thomas alone is a great lesson on writing and authenticity, and the last one, "Frontiers of Writing", makes a strong case that a nation is imagined by writers first - that language, poetry, opens up possibilities in nations as well as in people. Though he knows that words can't do everything, Heaney's affection for writing and writers is convincing. At his best, he made me want to go back to the poet and read more, and not many people can make me do that!
4 of 4 people found the following review helpful.
Great Heaney essays
By joseph heininger
This is one of Seamus Heaney's most discerning and enjoyable volumes yet. It is a must for all admirers of the poet.
2 of 2 people found the following review helpful.
Sublime insight
By John Daly
Sadly now no longer with us, Seamus Heaney imparted great stuff simply. These are beautifully written essays that are timeless, the perfect volume to leave by one's bedside to be dipped in and out of.
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