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Oil Painting Essentials: Mastering Portraits, Figures, Still Lifes, Landscapes, and Interiors, by Gregg Kreutz
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An essential guide to the oil painting techniques that will allow artists to master a variety of subjects, including figures, portraits, still life, landscapes, and interiors.
Many painters limit themselves to one type of subject matter, but in Oil Painting Essentials, artist and art instructor Gregg Kreutz shows how a multi-genre approach can dramatically improve your painting skills. Arranged by category, each chapter covers both the essentials specific to that subject matter and those that apply to all genres. �
Through step-by-step lessons and examples from his own oil paintings, Kreutz shows how you can strengthen your skillset for one genre by painting in another. This comprehensive exploration of the conceptual and practical issues behind oil painting provides all of the tools and encouragement you need to successfully take on any type of oil painting.
- Sales Rank: #218741 in Books
- Brand: Penguin Random House
- Published on: 2016-05-24
- Released on: 2016-05-24
- Original language: English
- Number of items: 1
- Dimensions: 10.90" h x .40" w x 8.60" l, .81 pounds
- Binding: Paperback
- 160 pages
Review
“Gregg Kreutz encourages learning to see with clarity and insight,and that’s exactly what this book achieves. I’m an art observer,not an artist, but even I can follow—and admire—Kreutz’s logical,step-by-step approach to making paintings look better.”
—PETER TRIPPI, editor-in-chief, Fine Art Connoisseur magazine
“In Oil Painting Essentials, Gregg Kreutz expands on the teachingsand ideas that he brought forth first in Problem Solving for OilPainters. This new book is rich and colorful with Gregg’s paintings,showing examples of what to strive for and what to avoid whenlearning to paint. The writing is wonderfully clear, providing manyinsights for solving the essential problems art students confront.”
—DAVID A LEFFEL, artist and teacher
About the Author
GREGG KREUTZ is an artist, instructor at the Art Students League of New York, and author of the classic instructional text Problem Solving for Oil Painters. His paintings have been shown in New York and in galleries across the country. Having worked as a painter and teacher for three decades, he is sought after for his national and international workshops, and his popular videos continue to be in demand. He lives in New York City.
Excerpt. � Reprinted by permission. All rights reserved.
INTRODUCTION
Every oil painter knows the feeling: You’re standing in front of the easel studying your painting, and while nothing seems particularly wrong with it, there’s nothing particularly right about it either. The picture sits there, staring back at you, obviously in need of help, but sending no clear signal as to what kind of help.�
�
In my experience, when that happens, when unknown forces have dragged the picture down to the murky depths and are blocking all attempts at resuscitation, it’s time to hit the big issues, time to strip away superficiality and go after the essentials.�
But which essentials? As you will see in the following pages, there are many oil painting essentials that are important, but they can’t all be summoned up and thrown at the suffering painting. When you run up against a serious artistic impasse like the one described above what you need are—prime essentials!�
And luckily, after forty years of intensive research, I’ve figured out exactly what these prime essentials are:�
- Accuracy: Make sure you accurately depict the subject.�
- Design: Arrange the material in a dynamic pattern.�
- Depth: Make sure the near/far feeling of space is convincing.�
- Drama: Intensify the visual energy.�
Each of these prime essentials is important, and each needs to be given full attention by the oil painter.�
�
What often happens, though, is that one or more of them is neglected, and the picture doesn’t reach its full potential. For example, if you put all your energy into accuracy but neglect design, depth, and drama, the painting becomes just an inventory of what’s seen. Or if you emphasize design at the expense of depth, accuracy, and drama, you get a picture with a flat, decorative, cutout look. If the picture is to succeed, each prime essential needs to be fully manifested on the canvas.�
The painting, in other words, has to run on all four cylinders. Neglect any of them and you’ll end up with a lopsided, incomplete picture.�
Not that getting each prime essential right is easy—some artists may have no problem with drama, say, but may flounder on accuracy. Others might do brilliantly with accuracy, but fail to design the picture. So how do you master all four?
Most helpful customer reviews
9 of 9 people found the following review helpful.
Absolutely wonderful.
By Pen Name
The paper uses in the soft cover seems a little cheaper then in his other book. That being said the context in the book itself is wonderful. I finished the whole book in two days and will defiantly keep going back to it when I'm working. Easy to read and full of good technical advice. I would also recommend Problem Solving For Oil Painters by Gregg Kreutz, On Becoming A Painter by Robert A. Johnson, The Big Book Of Oil Painting by Jos� M. Parram�n, Capturing The Moment In Oils by David Curtis and Robin Capon, Oil Painting Secrets From A Master by Linda Cateura, An Artist Teaches by David A. Leffel, Alla Prima 2 everything I know about oil painting by Richard Schmid and Drawing Lessons From The Great Master by Robert Beverly Hale. These are some of the other books that I have found to be very helpful.
6 of 6 people found the following review helpful.
This is an excellent companion to the original book
By Martin J. Crane
I have a lot of books on painting and drawing, but I have always said that if I could only keep one, it would be Gregg Kreutz's "Problem Solving for Oil Painters." Now I have a problem--I have two oil painting books that I couldn't part with. This is an excellent companion to the original book, discussing concept and process essentials as they apply to portraiture, landscapes, interiors and still lifes. A pleasure to read and look at, I look forward to putting a lot of wear and tear on this book in the studio.
4 of 4 people found the following review helpful.
Stunning book - LOVE it! Great resource!
By Treenz
Gregg Kreutz is an artist and instructor at the Art Students League of New York and has done so for over 40 years. This is his second book and it is exceptional! The paintings in this book are absolutely stunning! Gregg is a very talented artist.
I was excited to receive this book because as a painter, I'm fairly new to oil painting - only trying it recently for classes. What Gregg does in this book is he believes that every artist should try all the different genre's and in doing so you get better as an artist and more skills. The book teaches mastering of portraits, figures, still life, landscapes and interiors.
There is so much amazing information in this book: How to create depth in paintings, importance of light and shadow, structure, importance of significance of everything in the painting, values, colors. Gregg was discussing how light should be the main event of the painting - the heart of it. Looking at his painting's, he really demonstrates it so beautifully with lots of shadows and always a light somewhere to draw the eye (usually in the center). I also found his tips on how to create movement in a painting very helpful also.
I absolutely love how he teaches portraits, figures, still life, landscapes (plain Air and studio) and Interiors. He covers so many points for each section, often with step by step guidance. I'm very excited to try all of these and feel very confident to do so after reading this book!
As a painter, I love learning new techniques and styles. I love Gregg's style. I would most definitely recommend this book for everyone! Even if you don't paint, it would make a great coffee table book as the paintings inside are stunning.
Please note that I was sent a copy of this book for my review. However, this review is entirely my own.
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